A glance upon the charts of any non-English speaking nation
will reveal a plethora of songs in the English language. Spain and France
currently have 13 songs in English in their top 20s, Germany has 17. The UK
chart currently has no songs not in it’s native language.
This seems like a big discrepancy. It can’t be that the
majority of the best musicians in the world are English speaking. The UK
haven’t won the Eurovision song contest since 1997. While this is often claimed
to be a political contest rather than a musical one, and whilst the winners have
often sung in English, it is a sign that musicians from non-English speaking
countries are as good as those who speak English.
So why do we have so few foreign language songs in our charts?
Psy’s Gangnam Style was the only non-English song in the top 100 singles of
2012 and it is one of those freak occurrences which occur every so often when
the song is just so catchy that we can’t ignore it over here on our fair isle.
Other examples are Macarena and La Bamba but these are so infrequent as to be
largely irrelevant in the grand scheme of things.
The biggest foreign artists often sing in English to get
biggest exposure. Bjork, Daft Punk and Kraftwerk (at times) have all taken to
our language to get us to accept them as musicians. Why are we so averse to
songs sung in a language we don’t understand?
English is spoken throughout the world. The cultural
influence of both English music and films is so pervasive that it can be
difficult to go anywhere in the world and not be able to survive speaking only
English.
Whether it is a sense of self-importance, the difficulty of
learning other languages or just a reluctance to learn one when it isn’t
necessary, the English-speaking world is largely mono-lingual.
The art that we accept into our culture is therefore an
extension of this. We will send our blockbuster movies abroad but will rarely
see many world cinema films in our cinemas. We will send our music overseas but
except for the odd dance hit, rarely embrace any songs when we can’t understand
what the musician is singing about.
Rammstein are a notable exception. They are successful
outside Germany partly because the German language actually suits their style
of music better than English. The metal band benefit from the harsh sounds of
German complimenting their heavy bassy guitar sounds and they have probably
been more successful than had they sung in English. Try translating and singing
‘Du Hast Mich’ to get an idea of why this might be.
A similar argument could be put for why Sigur Ros have
gained popularity in this country as their post-rock melodies are very much
suited to singing in their mix of Icelandic and Hopelandic. These can be seen
more as exceptions that prove the rule rather than a sign of change.
It does seem to be a modern phenomena. Opera is sung largely
in Italian, Russian, French, German as
well as English. Foreign language operas are still extremely popular today and
form the bulk of the operatic cannon. This is perhaps a historic legacy which
would not occur if opera first gained popularity in modern society. There may
also be elements of class difference as the audience for opera is generally
middle/upper class whereas pop music is predominantly aimed at the lower/middle
classes.
The size of the music industries in the UK and USA must be
part of the contributing reason for this. There is a larger budget pumped into
them which in turn could produce higher quality musicians.
The artist’s desire for success and attempting to reach the
largest audience will be another factor. To gain the largest exposure, it makes
sense to sing in the language that the largest number of people can understand.
This is and probably will be for a long time English and hence the biggest
commercial musicians are likely to sing in English.
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